Hi from Deni, guest blogging for Robin.
Since I have a bazillion deadlines---and, boy, do I know why they're called DEADlines--- I thought I'd blog about the items on my desk. Which, of course, I'm looking at as I write this blog.
I think writing should be fun, so the items on my desk tend to make me smile. First and foremost, one's gaze is drawn to a statue of Edgar Allen Poe, looming over a red Staples "That was easy" button.
I have two personas. Denise Dietz writes mysteries that have no socially redeeming values whatsoever, and Mary Ellen Dennis writes historical fiction that is ageless. Deni's mysteries and Mary Ellen's historicals always include romantic elements, inspired by their mutual best friend, lover and husband, Gordon Aalborg. Gordon's office is upstairs, in the loft, and he often sends Deni emails suggesting they meet for coffee (in the kitchen). Meanwhile, his photo graces her desk, along with Cat Tracks, Deni's favorite "Gordon book."
Deni has a wonderful photo of her actress sister, Eileen Dietz, who played the possession scenes (and The Demon) in "The Exorcist" and inspired Deni to write Fifty Cents For Your Soul, which Publishers Weekly called "Hollywood noir."
Deni likes to listen to show music. On her desk she has a stack of CDs that include Les Mis, Candide, Once Upon a Mattress, Phantom of the Opera, and a dozen other Broadway shows. She also has the Dixie Chicks, Harry Chapin, and Barbra Streisand. Mary Ellen prefers Celtic music and drove Deni daft by listening non-stop to Loreena McKenna's "The Highwayman" while writing The Landlord's Black-Eyed Daughter.
Mary Ellen has a huge framed poster of Daniel Day Lewis in The Last of The Mohicans. Deni, who once sang professionally and had a reviewer compare her to Judy Garland, has Judy Garland memorabilia. Deni's poster shows The Wizard of Oz's Dorothy in a biker bar, with the caption: TOTO, I DON'T THINK WE'RE IN KANSAS ANYMORE.
Deni and Mary Ellen share the same desk. Aside from their individual piles of research books, photos, notebooks and scrap paper, aside from their computer screen, keyboard, modem, phone and printer, they share a stuffed "deadline vulture" that perches on top of the modem. Deni named it Michael Seidman after her first editor. Deni and Mary Ellen share a heavy rock, ostensibly a paperweight, that has CREATE chiseled on its surface. They also share a small ceramic tortoise; it reminds them that if you only write one page a day, by the end of the year you'll have written a book. Both write more than one page a day. Deni likes the stress of deadlines, Mary Ellen prefers to finish her manuscripts before she sends them to her agent (they share the same agent). Deni owns a small ceramic frog in a witches hat, seated behind a crystal ball. The frog inspires her to write Toe of Frog (AKA "The Da Vinci Toad"), her sequel to Eye of Newt. In that book readers will meet a reincarnated Rottweiler who is afraid of doorbells and songs from the 1970s.
Leaning against the wall is Deni's Lamb Chop hand puppet, given to her by a fan who read Chain a Lamb Chop to the Bed, the third Ellie Bernstein "diet club" mystery (the 4th in the series, Strangle a Loaf of Italian Bread, will be out in May).
Finally, Mary Ellen collects angels. Her favorite angel holds a piece of paper with a Luciano de Crescenzo quote: "We are each of us angels with only one wing and we can only fly by embracing each other."
Deni Dietz's QUIBBLES & BITS
Responding to critics of Carnal Knowledge, Mike Nichols said, "A critic at a movie is a eumuch at a gangbang."
Which made me think. . . How many times have we banged our heads against our keyboards because the person who reviewed our books didn't "get it"?
Or, even worse, didn't read it!
Or was just plain nasty.
When my historical romance Dream Dancer came out, a reviewer whom we'll call "Ms. Axtogrind" attacked me, personally (in print, of course), then said the hero of my book had burned to death in a circus fire. I don't think I'm giving anything away when I say my hero did not die. Ms. Axtogrind was fired shortly thereafter, but I'm fairly certain her review impacted my sales. I mean, would you read a romance where one of the protagonists burns to death? Joan of Arc, maybe.
I threw the question up for grabs on some of my email loops. The have-you-ever-had-a-quirky-or-nasty-review question, not the would-you-read-a-romance-where-the-protag-meets-a-fiery-death question, and I've culled some of my favorites:
Jack Williamson, a science fiction author, got a review which said he wrote like a comic strip writer. Someone saw that and hired Williamson to write a sciece fiction comic strip called "Beyond Mars."
Author Tod Goldberg says: "Sadly, the fine folks at PW have not yet been kind enough to provide me with the home address of the person who wrote of my debut novel, Fake Liar Cheat: 'Goldberg's smarmy, self-congratulatory debut novel breaks little new ground in its quest to debunk shallow American notions of celebrity, materialism and self-fulfillment.'"
PW wrote much nicer things about Tod's next book, but he says, "In my heart, Publishers Weekly will always be the people who notified the world that I was smarmy and self-congratulatory. And I thought I did that pretty well by myself."
Writing about John Westermann's novel, Exit Wounds, a reviewer said: "Clearly the author has never been inside a police station. His policemen are vulgar and crass."
Westermann, who spent 21 years as a cop, says, "Crass and vulgar? Some of my people considered it an art form."
Greg Herren says: "The one thing the reviewer harped on (regarding Murder in the Rue Dauphine) was that 'outside of the main character, Herron doesn't get inside the heads of his characters. It would have been nice to know what was going on inside their heads as well.' Considering the fact that the novel was written in first-person and the main character wasn't a psychic, I kind of scratched my head over that one."
In a review of an anthology of Civil War spy stories, the reviewer assumed Patti (P.G.) Nagle's story was a romance because it its title, The Courtship of Captain Swenk. "He obviously hadn't read the story," Patti says, "because it wasn't romantic at all. The Captain is courting an old battleaxe widow as an excuse for spying activities."
Janet Dawson's PW review for Where the Bodies are Buried sniped at her because her heroine/sleuth, Jeri Howard, didn't figure out who the killer was until the end of the book. "As though there would have been a rest of the book if Jeri had figured out whodunit in the middle," Janet says. "Please! That was the most idiotic hatchet job I've ever seen."
The same week the New York Times called Robert Rosenberg's first book, Crimes of the City, the most notable thriller of 1991, the reviewer in Ha'arentz said it was a cartoon.
"But I think the reviewer issue should be put in perspective," Robert insists. "While my agent was trying to sell my first book, I kept asking for the rejections and she kept saying no. Finally, after she found a publisher (Simon & Shuster), she sent me a sampling (of the rejections). One editor wrote: 'The plotting is elegant, the writing pedestrian, and the characters are flat.' Another editor wrote: 'The writing is elegant, the plotting pedestrian, and the characters are lively.' And a third wrote that the writing was flat, the characters interesting, and the plotting terrific. In other words, one can only wonder if they read the same book!"
And finally, reviewer Joe Scarpato says, "I love writing reviews most when I either love the book or hate the book. The in-betweens are the hardest to write. . . although I try to make each review entertaining as well as informative."
His favorite pan was a one-word summation of A.A. Milne's The Red House Mystery. Joe simply wrote "Pooh!"
When Elizabeth Taylor got a hole in her throat, I canceled my plane."
-- Shirley MacLaine
How many of you think Elizabeth Taylor deserved her Oscar for Butterfield 8?
Her fellow noms were: Greer Garson in SUNRISE AT CAMPOBELLO
Deborah Kerr in THE SUNDOWNERS
Shirley MacLaine in THE APARTMENT
Melina Mercouri in NEVER ON SUNDAY
I only ask because it relates to the following...
Deni Dietz
QUIBBLES & Bits
Today I'm going to talk about one of my pet peeves. You might even call it a hot-button pet peeve.
No, not sex in mysteries. That doesn't bother me.
No, not multiple POVs. With the exception of excessive head-hopping, I like multiple viewpoints.
I'm not even going to mention posting BSP, and only BSP, on an internet loop. Or answering every damn individual email with a "Me, too" or "Thanks" and then adding a siggy line as long as Cat Deeley's legs. Or writers refusing to trim a previous post because "no one will know what I'm referring to."
Instead, I plan to talk about trawling, or if you prefer, trolling, for votes.
"What the bloody heck does she mean?" I hear you ask. "Is she talking about the presidential election?"
No. At least, not at this time ;-)
Here's the thing. While I know this isn't a new trend, it's become really rampant as more and more authors trawl (or if you prefer, troll) for "votes" in order to win various awards. Or maybe a better word would be plead for votes.
I recently received a cc'd email from an author (whom I know slightly), asking me to go to some website --- she kindly provided a link --- and vote for her book. If I did, she'd win some kind of award for excellence. And, she insisted, I should do this in order to "support small-press authors."
Do you find that pathetic, or is it just me?
She didn't ask if I'd read her book! Nor did she gave a rat's spit if I had. She made it very clear that reading her book wasn't relevant.
Voting was.
If people haven't read the book and vote merely to support a friend, or a friend of a friend, or a friend of a friend of a friend, or a fellow author, doesn't the award then becomes meaningless?
Or, again, is it just me?
Some authors think a meaningless award is worth its weight in zircons. It gives one bragging rights: "I'm so thrilled. 'Gone with the Flatulence' just won first prize for excellence at literary_award_for_sale-dot-com."
Not that I think anyone reading this blog would vote for a book without reading the book first. I'm just sayin.
Over and Out,
Deni
QUIBBLES & BITS
From Deni Dietz, wearing her editor's hat.
Recently I've had a slew of ugly duckling romance submissions. Well, the submissions weren't ugly---except for all those underlined words; italics are okay nowadays, people, honest!
The heroines were ugly ducklings.
Not!
Apparently, romance heroines don't have mirrors.
So that got me thinking...
In movies, as well as books, the "ugly" girls always look as if they are three seconds away from dieting effortlessly, then ripping off their oversized glasses and starring in an Olay commercial.
Here are some examples:
Drew Barrymore, Never Been Kissed. Newspaper reporter Josie/Drew is sent back to high school for an undercover report. A former outsider, all it takes to hot up Josie is to dress her like the real-life Barrymore, including a cutesy head of ringlets, and soon Josie's popular as all get out. Was she hot or not? Not. Drew can play ugly really well.
Julia Roberts, America's Sweetheart. Kiki/Julia is the personal assistant to her drop-dead gorgeous actress sister. Kiki's dowdy, but it's nothing some wardrobe and hair straightener can't fix. Still, the hero is able to see that beneath the ponytails, glasses, and sensible sweater sets, Kiki's got a great personality. Of course it helps that she's, uh, Julia Roberts. Hot or not? Hot, in a sexy librarian way.
Anne Hathaway, Princess Diaries. Mia/Anne, an awkward, gangly teen, discovers that she's heir to small European nation. The royal stylist tames Mia's birdnest of frizzy curls, trims her unibrow, ditches her glasses, and turns her into a beauty. Hot or Not? Not. Anne Hathaway makes a surprisingly convincing ugly duckling.
Janeane Garofalo, The Truth About Dogs and Cats. Radio talk-show host Abby/Janeane chickens out when a handsome man wants to meet her and instead asks her model friend Uma Thurman to impersonate her. Abby falls in love with the handsome man, but her makeover is largely internal. Hot or Not? Hot. Despite Thurmond's supposedly physical superiority, Abby is charming, smart, and cute. To the movie's credit, she doesn't require a glamorous makeover to nab the hot guy in the end.
And finally...
Nia Vardalos, My Big Fat Greek Wedding. Toula/Nia is a single, shy, 30-year-old Greek woman living with her parents and working at the family restaurant, until she decides to transform her life by getting a makeover. She ditches the glasses, buys a new wardrobe, and discovers the magic of makeup. Hot or Not? Not. Props to Mia for allowing herself to look atrocious at the beginning of the film.
Any other candidates? How about Sandra Bullock in Miss Congeniality?
As I write this blog, I'm working on a book where the heroine is Not in the beginning and Hot by the end of the book. She weighs the same at age 19 as she did at 10, but...she grows 9 inches taller.
Over and Out,
Deni, wishing she could grow 9 inches taller!
QUIBBLES & BITS
When I finished writing my first-ever book, THROW DARTS AT A CHEESECAKE, I thought: Hoo-boy, a publisher will buy my book, I'll quit waiting tables, and before you can say Jackie Robinson [my protagonist's cat] I'll be rich and famous.
Yeah, right.
The photo to the left is my reaction to my editor (Michael Seidman) when I asked him how I could increase my book sales and he told me to second-mortgage my house and go on the road.
Because...I couldn't do that. I was waiting tables at night and raising 3 kids, 3 dogs and 2 cats on a very limited budget (fortunately, I was a terrific waitress).
But there was one thing I could do...
Schedule booksignings!
For my first-ever [mall] booksigning, my manager at The Olive Garden restaurant (where I waited tables) gave me an enormous cheesecake. It attracted kids like a magnet. "Is that free, lady?" "Is that really free, lady?" "Can I have a piece, lady?" "Can I have another piece, lady?" "Hey, y'all, this lady says the cake is free."
Where are your parents? I thought somewhat desperately, as I watched a gaggle of pre-teens dribble cheesecake crumbs on the small stack of brand-spanking-new hardcovers waiting to be bought and signed.
Finally, a mom pushed a stroller up against my table. "Is that a cookbook?" she asked, pointing to my THROW DARTS AT A CHEESECAKE stack with her double wedge of free cheesecake.
"You could call it that," I replied, not quite lying through my fake smile, wondering what my royalty payment would be on one book.
And here's the funny part. I honestly thought if I signed any left-over books [in the case of my first mall signing, that meant all but the one bought by the cookbook lady], the books couldn't be returned to the publisher.
Yeah, right!
After a signing in Denver -- where I quickly learned that you don't schedule a booksigning opposite a Broncos football game -- I scribbled my signature on the dozen or so left-over CHEESECAKE hardcovers with a red pen. I can't remember why I used a red pen...maybe I thought red looked spiffy, maybe I thought it looked like, you know, blood. It was the one and only time I signed with red ink. Eighteen months later, at a signing in L.A. for BEAT UP A COOKIE [the second book in my "diet club" mystery series], someone handed me a copy of THROW DARTS AT A CHEESECAKE to personalize...
It was already signed...
In red ink.
WISHING YOU A VERY HAPPY, HEALTHY, SUCCESSFUL 2008!!!
But I have to say that 2007 was a Very Good Year!
It's always a good year when you write a book, and I just turned in STRANGLE A LOAF OF ITALIAN BREAD, the 4th Ellie Bernstein/Lt. Peter Miller "diet club" mystery to my publisher. Plus, DESTINY'S DAUGHTER, the second Mary Ellen Dennis historical, to my agent.
It's an especially good year when you have a book come out to starred reviews. I'll be honest. All I really wanted was to see THE LANDLORD'S BLACK-EYED DAUGHTER in print. I love the poem "The Highwayman" and I loved my interpretation in novel form. It's incredible success was a surprise...and a thrill beyond words.
My friends, this is my last weekly (Tuesday) blog. My new Dead Guy status is "designated blogger." I think that means I can't drink or something.
QUIBBLES & BITS
Have you noticed the lack of the word "Christmas" in Christmas?
This year Seattle airport dumped their annual Christmas trees in favor of some bland, generic "winterscape."
So I gotta tell ya. As a person who prefers bland, generic beaches and oceans to bland, generic winterscapes, I'm totally insulted.
Seriously, folks...
An English Santa was given a green costume because a school decided his red suit smacked of "modern commercialism" and remind students of Coke. (that's Coca-Cola, not coke-coke.)
Hey, you're gonna love this one: In Australia, a store Santa says he was fired for saying, "Ho, ho, ho" instead of "Ha, ha, ha." According to the Cairns Post, Santa's employer ruled "ho, ho, ho" could be demeaning to women.
Question: Have you ever met anyone who was personally offended by the celebration of Christmas? Or anyone who got their knickers in a twist at the sight of a Christmas-themed window display?
I haven't.
As a little kid I'd walk down New York City's 5th Avenue and stare with incredulous delight at the window displays. And when I was six I recorded two songs (one on each side) for a record produced by a distant relative, lyricist Howard Dietz. Cousin Howard's songs included "Dancing in the Dark" and "You and the Night and the Music." On one side of my record I sang "I Saw Mommy Kissing Santa Claus." On the other side, "Rudolph the Red-Nose Reindeer." My record sold quite well. So sue me!
As an adult kid, I still watch the original Miracle on 34th Street and It's a Wonderful Life and A Christmas Carol (the one with Alistair Sim).
My point is, Christmas is for people who believe in goodwill toward men, who believe in peace, love and fir trees, who believe in department store Santas, Salvation Army Santas, candy canes, fruitcake, credit card overdoses, and the lecherous dangling of mistletoe.
As an author and a person, I object to censorship of any kind, and that includes censorship of the C-word!
Did you hear that, Wal-Mart?
Oh, wait. Apparently Wal-Mart backtracked and told its greeters to stop substituting "holidays" for the C-word.
And now...for last minute shoppers, may I recommend a fun book? You could probably even stuff it in a stocking!
MURDER, EH? by Lou Allin
Northern Ontario realtor Belle Palmer is showing the lakefront mansion of a prominent businesswoman when she discovers the lady strangled in her
bathtub. Could this third break-and-enter death reveal a serial killer at large in the Nickel Capital? The woman's only child, a precocious 12-year-old named Micro, comes to stay with Belle's neighbors and wins her heart. Then after an argument, the boy disappears, riding off into the cold September night on his bicycle. His computer shows a cryptic correspondence that sends the police checking pedophile registers as an Amber Alert is issued. Racing against time as fall temperatures plummet, Belle hooks up with a bumbling PI and joins the search. Highly Recommended.
See y'all next week on C-word Day,
Deni
HAPPY CHA-HANUKKAH, Y'ALL
QUIBBLES & BITS:
BIT:
Balducci's, on Eighth Avenue and West 14th Street in New York City (that'sthe Village, people, where I used to go to school), posted this sign in its meat section.
Manhattan novelist Nancy Kay Shapiro told the Daily News that she spotted the kosher faux pas while browsing at the store. A Balducci's official pinned the blame on a clerk who normally doesn't work the meat department.
Uh...um...okay.
On its Web site, Balducci's wrote: "We apologize for this unfortunate error and oversight. It was never our intention to offend anyone... We will be reviewing our employee training policy."
'Nother BIT:
I've never missed a deadline, and I had what I thought was a fair deadline for STRANGLE A LOAF OF ITALIAN BREAD. But life interfered and it turned into the deadline from hell.
Nevertheless, the 4th Ellie Bernstein/Lt. Peter Miller "diet club" mystery is written---with 2, count 'em, two twist endings---and the manuscript is about to be sent off to my editor (as soon as my free-lance editor give me the okay), and I made my deadline, and this is the first book in the series where I don't have a "heroine in jeopardy" scene (yay!) Thus, this is the first book in my diet club series where Ellie doesn't have to hiccup her heroine-in-jeopardy dialogue (she gets the hiccups when she's frightened).
I hate writing hiccups. I wrote 'em for Fifty Cents For Your Soul, too.
Publishers Weekly liked them. They said, "The over-the-top, irreverent serving of horror and Hollywood noir in FIFTY CENTS FOR YOUR SOUL is something of a departure for Dietz (Footprints in the Butter, etc.), but who can resist a book that opens with: 'The woman who straddled Victor Madison had hiccups'?"
But I digress...
Next on my agenda is the final polish on my second "Mary Ellen Dennis" historical, DESTINY'S DAUGHTER. The Landlord's Black-Eyed Daughter went into a third printing, was picked up for a large-print edition, and was a Holiday Gift recommendation in January Magazine so it just might be wee bit prudent to strike while the iron is hot, a cliché that, like most clichés, is more often than not, true.
WHAT'S YOUR FAVORITE CLICHÉ?
My agent is about to send me his Destiny's Daughter revision notes. Except, I don't call them revision notes. I call them "rewrite the damn book and make it better" notes.
Next, I want to continue writing GYPSY ROSE LIEBERMAN, the mystery I started to write but had to shelve so I could finish writing what my editor calls STRANGLE.
I've been writing Gypsy in my head for weeks, and I really need to finish the first book so that I can start on the second in the series. I'm anxious to write the second book because I've already thought of a title: WHATEVER HAPPENED TO BABY MURIEL - A Gypsy Rose Lieberman Mystery. It's about two aging moving actresses who live as virtual recluses in an old Colorado mansion.
Authors reading this blog, can y'all write a book without thinking of a title first? I can't.
And no, I'm not drinking spiked eggnog, though this blog might sound as if I am. It's just that I'm always a tad giddy when I finish writing a book.
I'll leave you now, so that I can light the menorah and make myself a kosher ham sandwich.
Over and Out,
Deni, singing "I've written a letter to Daddeeee..."
